Hey friends. Today I am bringing you this weeks Stacking the Shelves. Stacking the Shelves is a weekly meme hosted by Tynga’s Reviews and Reading Reality. All you have to do is share what books you got in the previous week. You can find more information here.
Considering I forgot to do last weeks Stacking the Shelves, and I have 2 weeks worth of new books, I don’t have too many books to haul today, which I’m quite happy about. Read on to see what I got.
Every seven years, the Agon begins. As punishment for a past rebellion, nine Greek gods are forced to walk the earth as mortals, hunted by the descendants of ancient bloodlines, all eager to kill a god and seize their divine power and immortality.
Long ago, Lore Perseous fled that brutal world in the wake of her family’s sadistic murder by a rival line, turning her back on the hunt’s promises of eternal glory. For years she’s pushed away any thought of revenge against the man–now a god–responsible for their deaths.
Yet as the next hunt dawns over New York City, two participants seek out her help: Castor, a childhood friend of Lore believed long dead, and a gravely wounded Athena, among the last of the original gods.
The goddess offers an alliance against their mutual enemy and, at last, a way for Lore to leave the Agon behind forever. But Lore’s decision to bind her fate to Athena’s and rejoin the hunt will come at a deadly cost–and still may not be enough to stop the rise of a new god with the power to bring humanity to its knees.
This was the January FairyLoot book. I wasn’t super interested in reading this book before I got it, but the cover is pretty, and now I have it I figure I may as well give it a go. Also, the edition is beautiful!
Nesta Archeron has always been prickly-proud, swift to anger, and slow to forgive. And ever since being forced into the Cauldron and becoming High Fae against her will, she’s struggled to find a place for herself within the strange, deadly world she inhabits. Worse, she can’t seem to move past the horrors of the war with Hybern and all she lost in it.
The one person who ignites her temper more than any other is Cassian, the battle-scarred warrior whose position in Rhysand and Feyre’s Night Court keeps him constantly in Nesta’s orbit. But her temper isn’t the only thing Cassian ignites. The fire between them is undeniable, and only burns hotter as they are forced into close quarters with each other.
Meanwhile, the treacherous human queens who returned to the Continent during the last war have forged a dangerous new alliance, threatening the fragile peace that has settled over the realms. And the key to halting them might very well rely on Cassian and Nesta facing their haunting pasts.
Against the sweeping backdrop of a world seared by war and plagued with uncertainty, Nesta and Cassian battle monsters from within and without as they search for acceptance-and healing-in each other’s arms.
Do I even need to say anything here?
After receiving a frantic letter from her newlywed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find – her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.
Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.
Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.
And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.
This is the Books and Tea book club book for March and April, so I decided to get on and order it. I have been wanting to read this one for a while anyway, so this seemed like the perfect opportunity.
In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Tuor and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year.
Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril.
In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father’s own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.
Available for the first time in one volume, this is the definitive collection of Tolkien’s five acclaimed modern classic ‘fairie’ tales in the vein of ‘The Hobbit’, fully corrected and reset for this edition and all beautifully illustrated in pencil by the award-winning artist, Alan Lee.
The five tales are written with the same skill, quality and charm that made The Hobbit a classic. Largely overlooked because of their short lengths, they are finally together in a volume which reaffirms Tolkien’s place as a master storyteller for readers young and old.
• Roverandom is a toy dog who, enchanted by a sand sorcerer, gets to explore the world and encounter strange and fabulous creatures.
• Farmer Giles of Ham is fat and unheroic, but – having unwittingly managed to scare off a short-sighted giant – is called upon to do battle when a dragon comes to town;
• The Adventures of Tom Bombadil tells in verse of Tom’s many adventures with hobbits, princesses, dwarves and trolls;
• Leaf by Niggle recounts the strange adventures of the painter Niggle who sets out to paint the perfect tree;
• Smith of Wootton Major journeys to the Land of Faery thanks to the magical ingredients of the Great Cake of the Feast of Good Children.
I’ve been meaning to buy these for ages, add them to my Tolkien collection. I think I’ve read most of the stories in Tales From the Perilous Realm, but I haven’t read the other two, and I really want to read everything by Tolkien.